One of the cool parts of this work is seeing all the random ways that my sound recordings are used — from Bigfoot documentaries to art projects and scientific research. Recently, I sent something (a fun but tiny contribution) to the National Geographic Society. If you are in D.C. in the very distant year of 2026, you’ll hear one of my rattlesnake recordings coming from a small diorama in the newly reimagined National Geographic Base Camp pavilion. Hey, those sounds have to come from somewhere.